Thursday, March 10, 2005

Quotes of the day

A Stylus special...

"Oh dear god. Right, so now the first half-hour of the chart is...sorrry, what in the fuck is this...Two men are bleating at each other about last night's Eurovision selection programme, and specifically Jordan's participation in it. One of them, who sounds like he's trying to encourage you to take A-Level Geography, reckons she would have been representing 'England' if she had won. They make the staggeringly insightful points that she has fake breasts and dyed hair. They also talk about Javine's breasts. Cookie, oh Jesus... There is now some impossibly stilted banter. They do a phone interview with someone off 'Coronation Street'. Why...What for...What the fuck is this shit?"

William B Swygart pens a brilliant obituary to the UK Top 40, pointing out in the process that not once during the revamped show was mention made of the death of former Radio 1 DJ Tommy Vance that day.

"I don’t like this. Warnings / Promises is an accomplished rock record made by an accomplished rock band. 'Back-to-basics' is a conservative epithet and this record is made by conservative men, more interested in craft than inspiration, bound by a subconscious will to safety. Idlewild now sound like REM. Which is to say that the unbound fury became passion and then became earnestness. Which is to say that the maelstrom of white noise became electric strands of silver and then became slide guitar. It has one pace, and that pace is 'mature'."

Nick Southall on Idlewild's new LP - his review's without question more a warning than a promise. Still, I enjoyed their last, The Remote Part, even though the noise was toned down significantly then.

"This is it? This is the great revolution? This is what topped the critics’ charts, inspired a million rapturous articles and blog posts and personal testimonies? This? This rancid stew of sour indie self-regard, the disingenuous assurance that no, now we’re making pop music (so for once it’ll be good, lol)? I realize that one cannot actually hold Broken Social Scene accountable for the comments of others, but anyone who referred to this as some sort of pop masterpiece has hopefully listened to the radio in the interim."

Ian Mathers pulls no punches about Broken Social Scene's You Forgot It In People LP in the On Second Thought feature. I certainly wouldn't go this far - it's a decent album - but I must confess to wondering what exactly it was that got people foaming at the mouth.

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