Ditto
22nd and 29th January: two Wednesdays, two Newcastle matches, two wins, two winners from Jenas, two clean sheets. You can't ask for more than that. We're now second in the league (although Fish-Eyed Ferguson's runts have a game in hand on us), and if our young midfield dynamo carries on in his current vein of form I'm going to be swamped with more Google requests for 'jermaine jenas naked' than the one I've had so far. Don't find him attractive mysefl - his head seems suspiciously small for his body, don't you think?
So, with any luck a repeat performance in Smogville on Saturday. If the chemically-altered ones defend like they did against Villa on Tuesday, we're going to have a field day. However, this bit of news may have put a slight dampener on the potential for hilarity amongst the Geordie fans (courtesy of nufc.com):
By the way, it's only fair to remind you of a story we mentioned some months ago - the killjoy Cleveland polis have made it known that anyone turning up at the Riverside in protective clothing, dust deflectors, gas masks etc. faces being refused admission to the stadium.
Thursday, January 30, 2003
Wednesday, January 29, 2003
I Am Always Right? Wrong!
Here is one blog I won't be adding to my favourites list. Read it, weep and then send abusive emails. I haven't met the guy, but it's fairly safe to say that (to borrow an expression from a friend) that he's an Absolute C**t with a capital A and a capital C. I may not always be right, but I'm pretty certain about that.
Here is one blog I won't be adding to my favourites list. Read it, weep and then send abusive emails. I haven't met the guy, but it's fairly safe to say that (to borrow an expression from a friend) that he's an Absolute C**t with a capital A and a capital C. I may not always be right, but I'm pretty certain about that.
Friday, January 24, 2003
Wednesday, January 22, 2003
Feel good hits of the 22nd January
The songs which have most recently been tickling my aural tastebuds...
1. 'Yoshimi Battles The Pink Robots' - The Flaming Lips
2. 'Happy When It Rains' - The Jesus And Mary Chain
3. 'Getting Better' - The Beatles
4. 'Rockets Fall On Rocket Falls' - Godspeed You! Black Emperor
5. 'Every Day Is A Child With Teeth' - Liars
6. 'Blood On The Highway' - Burning Brides
7. 'Let's Stick Together' - Bryan Ferry
8. 'She's Lost Control' - Joy Division
9. 'Hell On Wheels' - Fu Manchu
10. 'Can't Get You Out Of My Head' - Kylie Minogue
The songs which have most recently been tickling my aural tastebuds...
1. 'Yoshimi Battles The Pink Robots' - The Flaming Lips
2. 'Happy When It Rains' - The Jesus And Mary Chain
3. 'Getting Better' - The Beatles
4. 'Rockets Fall On Rocket Falls' - Godspeed You! Black Emperor
5. 'Every Day Is A Child With Teeth' - Liars
6. 'Blood On The Highway' - Burning Brides
7. 'Let's Stick Together' - Bryan Ferry
8. 'She's Lost Control' - Joy Division
9. 'Hell On Wheels' - Fu Manchu
10. 'Can't Get You Out Of My Head' - Kylie Minogue
Where the 'Wild things go
In relation to Olav's comments about Idlewild, it seems that his thesis, that the band have "plateaued" and lost that their 'edge', is supported by at least one notable figure - perma-dishevelled former bassist Bob Fairfoull, who says as much here. I still disagree. So there.
In relation to Olav's comments about Idlewild, it seems that his thesis, that the band have "plateaued" and lost that their 'edge', is supported by at least one notable figure - perma-dishevelled former bassist Bob Fairfoull, who says as much here. I still disagree. So there.
The Sun: putting the Daily Mail in the shade
You see what happens? You see what happens? You see what happens when you put Rebekah Wade in charge of The Sun?
You see what happens? You see what happens? You see what happens when you put Rebekah Wade in charge of The Sun?
Monday, January 20, 2003
Sex, drugs, rock 'n' roll and canals
"The Happy Mondays are one of Manchester's most successful exports. Other exports from Manchester include crime, poverty and arrogance" - 'Rock Profiles'
"No, I forgot, you're from Manchester - cotton and guns!" - Alan Partridge
Once upon a time, not too long ago, I hated Manchester. A large part of it was down to the whiny nasal accent and swaggeringly arrogant self-importance of Oasis, as adopted in the mid 90s by hordes of teenage tossers from Dundee to Dover. Another contributory factor would be that in October 1998 I got punched in the face on my one and only visit to Rockworld (never mind the fact that I'd taken it upon myself to take the piss out of some halfwit Durst-a-like and his gaggle of nu-metal gonk associates). The Smiths and The Happy Mondays had passed me by, and the city struck me as a grimy smoghole, with the pus-filled boil that is the Arndale Centre stuck right in the middle of its fuck-ugly face.
Well, things change. Not all things, I should add. I still wince every time a good night at an indie disco (that sounds horribly quaint and Belle-And-Sebastian-esque, sorry) is blighted by the Stone fucking Roses. And I still live in the hope that some higher being will strike down Fish-Eyed Ferguson and all his damned minions for the psychological and emotional torment they inflicted upon myself and the good burghers of Newcastle in the latter stages of the 1995-96 Premiership season. But I can confess to, y'know, quite liking the place now. It's something that's come with having a girlfriend from Bury and friends who have forced The Smiths onto me, not even fervently believing but KNOWING it was for my own good. I'm not quite sure how to explain it, except to say that repeat visits seem to allow the city to begin to exert some kind of supernatural hold over you. It's got to the point that, on my last visit, I found myself at indie club Fifth Avenue nodding along to 'Pounding' by Doves and thinking "This wouldn't sound as good anywhere else in the world".
All of which brings me to '24 Hour Party People', the story of Anthony Wilson and Factory Records. I've seen the film and have just finished reading the book (essentially, Wilson set loose on the film script in the hope that it might emerge as a vaguely readable and coherent novelisation). Whereas a couple of years ago Wilson's inflated sense of civic pride would have stuck in my throat, now I can just about stomach it. So, the story: cotton, guns, crime, poverty and arrogance certainly feature heavily (well, not so much the cotton). At heart it's the cockle-warming and frequently comical tale of a bunch of bumbling idiots armed with zero idea how to run a successful business enterprise but with an unbridled collective passion for music and the desire to make Manchester a real cultural force. We see their first tentative steps as a label, gig riots, Ian Curtis's suicide, New Order rising out of Joy Division's ashes, the Ryder brothers kicking pigeons, the foundation of the Hacienda, drug-taking on a monumental scale with The Happy Mondays, and Wilson's stoned meditations on broccoli, all woven into a narrative that encompasses appearances from the likes of The Buzzcocks, The Sex Pistols, The Fall and Elvis Costello.
Ultimately the fragile empire crumbles - but their failure is glorious. The minute the film credits finished, and the minute I read the final sentence, I wanted to listen to everything Joy Division ever recorded. Wilson comes across as the endearingly misguided buffoon he undoubtedly is, but what the viewer or reader cannot escape is the realisation that Wilson and Factory have left an indelible mark on the musical landscape. And, lest we forget, without Anthony Wilson there would be no Alan Partridge. The world is a better place.
"The Happy Mondays are one of Manchester's most successful exports. Other exports from Manchester include crime, poverty and arrogance" - 'Rock Profiles'
"No, I forgot, you're from Manchester - cotton and guns!" - Alan Partridge
Once upon a time, not too long ago, I hated Manchester. A large part of it was down to the whiny nasal accent and swaggeringly arrogant self-importance of Oasis, as adopted in the mid 90s by hordes of teenage tossers from Dundee to Dover. Another contributory factor would be that in October 1998 I got punched in the face on my one and only visit to Rockworld (never mind the fact that I'd taken it upon myself to take the piss out of some halfwit Durst-a-like and his gaggle of nu-metal gonk associates). The Smiths and The Happy Mondays had passed me by, and the city struck me as a grimy smoghole, with the pus-filled boil that is the Arndale Centre stuck right in the middle of its fuck-ugly face.
Well, things change. Not all things, I should add. I still wince every time a good night at an indie disco (that sounds horribly quaint and Belle-And-Sebastian-esque, sorry) is blighted by the Stone fucking Roses. And I still live in the hope that some higher being will strike down Fish-Eyed Ferguson and all his damned minions for the psychological and emotional torment they inflicted upon myself and the good burghers of Newcastle in the latter stages of the 1995-96 Premiership season. But I can confess to, y'know, quite liking the place now. It's something that's come with having a girlfriend from Bury and friends who have forced The Smiths onto me, not even fervently believing but KNOWING it was for my own good. I'm not quite sure how to explain it, except to say that repeat visits seem to allow the city to begin to exert some kind of supernatural hold over you. It's got to the point that, on my last visit, I found myself at indie club Fifth Avenue nodding along to 'Pounding' by Doves and thinking "This wouldn't sound as good anywhere else in the world".
All of which brings me to '24 Hour Party People', the story of Anthony Wilson and Factory Records. I've seen the film and have just finished reading the book (essentially, Wilson set loose on the film script in the hope that it might emerge as a vaguely readable and coherent novelisation). Whereas a couple of years ago Wilson's inflated sense of civic pride would have stuck in my throat, now I can just about stomach it. So, the story: cotton, guns, crime, poverty and arrogance certainly feature heavily (well, not so much the cotton). At heart it's the cockle-warming and frequently comical tale of a bunch of bumbling idiots armed with zero idea how to run a successful business enterprise but with an unbridled collective passion for music and the desire to make Manchester a real cultural force. We see their first tentative steps as a label, gig riots, Ian Curtis's suicide, New Order rising out of Joy Division's ashes, the Ryder brothers kicking pigeons, the foundation of the Hacienda, drug-taking on a monumental scale with The Happy Mondays, and Wilson's stoned meditations on broccoli, all woven into a narrative that encompasses appearances from the likes of The Buzzcocks, The Sex Pistols, The Fall and Elvis Costello.
Ultimately the fragile empire crumbles - but their failure is glorious. The minute the film credits finished, and the minute I read the final sentence, I wanted to listen to everything Joy Division ever recorded. Wilson comes across as the endearingly misguided buffoon he undoubtedly is, but what the viewer or reader cannot escape is the realisation that Wilson and Factory have left an indelible mark on the musical landscape. And, lest we forget, without Anthony Wilson there would be no Alan Partridge. The world is a better place.
News media: dumb, and getting dumber
Good to see The Sun has found the perfect headline story, one that combines two of its favourite topics: anti-union propaganda and love rat scandals. Today's front page bears the revelation that Fire Brigades' Union chief Andy Gilchrist is a "love cheat". Applying White Van Man Logic to the case, we see that the implication, of course, is that any "right-thinking person" (copyright the Daily Mail and The Sun) cannot possibly sympathise with the firemen in the ongoing pay dispute now that their leader has - allegedly - been caught with his trousers down. It'd be laughable if it wasn't so determinedly malicious. What a bunch of c***ts.
Imbecility is clearly rife at the moment. ITV1's lunchtime news programme today included an item about a scientific study which suggests that women's choice of partner depends on whether they are on the contraceptive pill or not. Apparently those on the pill generally prefer "macho" men, while those who aren't prefer sensitive types. And how did they cover this item? Well, they invited some beaming moron from Cosmopolitan (no doubt thrilled at the free plug) onto the programme, and got newsreader Nicholas Owen to ask her whether she thought he was macho or sensitive. And then they showed footage of slebs who might be considered to fall into one or other of the categories. I switched off. Sometimes I think to have a moderately active brain in this world is to be cursed.
Good to see The Sun has found the perfect headline story, one that combines two of its favourite topics: anti-union propaganda and love rat scandals. Today's front page bears the revelation that Fire Brigades' Union chief Andy Gilchrist is a "love cheat". Applying White Van Man Logic to the case, we see that the implication, of course, is that any "right-thinking person" (copyright the Daily Mail and The Sun) cannot possibly sympathise with the firemen in the ongoing pay dispute now that their leader has - allegedly - been caught with his trousers down. It'd be laughable if it wasn't so determinedly malicious. What a bunch of c***ts.
Imbecility is clearly rife at the moment. ITV1's lunchtime news programme today included an item about a scientific study which suggests that women's choice of partner depends on whether they are on the contraceptive pill or not. Apparently those on the pill generally prefer "macho" men, while those who aren't prefer sensitive types. And how did they cover this item? Well, they invited some beaming moron from Cosmopolitan (no doubt thrilled at the free plug) onto the programme, and got newsreader Nicholas Owen to ask her whether she thought he was macho or sensitive. And then they showed footage of slebs who might be considered to fall into one or other of the categories. I switched off. Sometimes I think to have a moderately active brain in this world is to be cursed.
Be quick or be dead
Ten seconds. Not a lot of time. Not a lot you can do in ten seconds. Unless, that is, you're Newcastle's number 9 and captain, returning from an undeserved suspension - in which case you can score a goal to set your side on the way to a storming performance and third place in the table, albeit with some help from old boy Steve Howey and Carlo the Clown in the Man City goal. Utterly fitting that King Kev should get to witness a Newcastle team hitting the same heights as the side he built in the mid 90s, and also utterly fitting that that mercenary moneygrabber Distin should end up having a torrid afternoon. A tenth successive league win at home, and even Robert had a good game. Great stuff.
Ten seconds. Not a lot of time. Not a lot you can do in ten seconds. Unless, that is, you're Newcastle's number 9 and captain, returning from an undeserved suspension - in which case you can score a goal to set your side on the way to a storming performance and third place in the table, albeit with some help from old boy Steve Howey and Carlo the Clown in the Man City goal. Utterly fitting that King Kev should get to witness a Newcastle team hitting the same heights as the side he built in the mid 90s, and also utterly fitting that that mercenary moneygrabber Distin should end up having a torrid afternoon. A tenth successive league win at home, and even Robert had a good game. Great stuff.
Friday, January 17, 2003
This is a case for Emoman!
Sensitive emo type? Got a couple of hours to spare? Good, cos The Get-Up Kids are in danger of being buggered senseless by Steven Tyler! There's not a minute to lose! Stop listening to those Thursday records and find out how you can help rescue them in the guise of your favourite emo 'superstar' by clicking here.
Sensitive emo type? Got a couple of hours to spare? Good, cos The Get-Up Kids are in danger of being buggered senseless by Steven Tyler! There's not a minute to lose! Stop listening to those Thursday records and find out how you can help rescue them in the guise of your favourite emo 'superstar' by clicking here.
Thursday, January 16, 2003
Wednesday, January 15, 2003
"I will always believe in punk rock, because it's about creating something for yourself…." - Joe Strummer
Felt I should direct you to this, a very personal and considered reflection on Joe Strummer and The Clash by Arlie Carstens, vocalist / guitarist with another very fine band, Juno.
Felt I should direct you to this, a very personal and considered reflection on Joe Strummer and The Clash by Arlie Carstens, vocalist / guitarist with another very fine band, Juno.
Tuesday, January 14, 2003
Paper chase
As the concluding speculation in this Media Guardian profile from July 2002 suggests, perhaps Rebekah Wade's move from News Of The World to The Sun wasn't entirely unexpected. As David Yelland disappears off to America, she's stepping into his editorial shoes. Under her stewardship, lest we forget, the News Of The World was responsible for inciting and inflaming the anti-paedophile vigilante witch-hunt with their 'name and shame' campaign, and she was accused of "grossly irresponsible" journalism by senior police officers. And now Wade's taking charge of the largest-selling and most influential daily paper. Is it just me, or does this give you cause for concern?
As the concluding speculation in this Media Guardian profile from July 2002 suggests, perhaps Rebekah Wade's move from News Of The World to The Sun wasn't entirely unexpected. As David Yelland disappears off to America, she's stepping into his editorial shoes. Under her stewardship, lest we forget, the News Of The World was responsible for inciting and inflaming the anti-paedophile vigilante witch-hunt with their 'name and shame' campaign, and she was accused of "grossly irresponsible" journalism by senior police officers. And now Wade's taking charge of the largest-selling and most influential daily paper. Is it just me, or does this give you cause for concern?
Not my words, the words of buddyhead.com
Buddyhead's best and worst of 2002 list makes for entertaining reading. Thumbs up for the likes of The Mars Volta, Mudhoney, Sonic Youth, Clinic, Queens Of The Stone Age and The Black Heart Procession. Thumbs down for (amongst other things) Interpol - but, hey, I'll let them off due to their Icarus Line connections.
Buddyhead's best and worst of 2002 list makes for entertaining reading. Thumbs up for the likes of The Mars Volta, Mudhoney, Sonic Youth, Clinic, Queens Of The Stone Age and The Black Heart Procession. Thumbs down for (amongst other things) Interpol - but, hey, I'll let them off due to their Icarus Line connections.
Monday, January 13, 2003
From the sublime to the ridiculous Part Two
Last night I watched with interest Peter Oborne's investigative report on Channel 4 into how Zimbabwean leader Robert Mugabe is starving his own people to death for political ends. Spectator journalist Oborne might not have been the most sensitive and diplomatic of reporters, most notably when berating and bullying Minister for Africa Baroness Amos, but the stark reality of life in Zimbabwe, as revealed by the secret camera footage, was undeniably powerful, and I was left feeling informed and indignant at our government's unsubstantiated rhetorical pledges.
The fat controllers at Channel 4 had then scheduled an hour-long preview of their new reality TV show 'The Salon'. It took me over 45 minutes to come to my senses, realise that it was utterly mindless shite and that it was actively making me more dumb, and switch off in disgust.
TV: it's a minefield all right.
Last night I watched with interest Peter Oborne's investigative report on Channel 4 into how Zimbabwean leader Robert Mugabe is starving his own people to death for political ends. Spectator journalist Oborne might not have been the most sensitive and diplomatic of reporters, most notably when berating and bullying Minister for Africa Baroness Amos, but the stark reality of life in Zimbabwe, as revealed by the secret camera footage, was undeniably powerful, and I was left feeling informed and indignant at our government's unsubstantiated rhetorical pledges.
The fat controllers at Channel 4 had then scheduled an hour-long preview of their new reality TV show 'The Salon'. It took me over 45 minutes to come to my senses, realise that it was utterly mindless shite and that it was actively making me more dumb, and switch off in disgust.
TV: it's a minefield all right.
JJ 'ammers the 'Ammers 'opes
Having waited a while for his first goal in a black and white shirt, Jermaine Jenas strikes twice in a week. This time it was a corking left-foot volley late on to secure us a barely-deserved point away to West Ham and leave them still searching for their first home league victory of the season. Given our poor away record, and West Ham's buoyancy following the signing of that hooligan Bowyer, it counts as a point gained rather than two dropped, and thanks to other results we stay in fourth.
And, in even better news, Marcelino has had the remaining five months of his contract bought out, and has left the club. Hallelujah.
Having waited a while for his first goal in a black and white shirt, Jermaine Jenas strikes twice in a week. This time it was a corking left-foot volley late on to secure us a barely-deserved point away to West Ham and leave them still searching for their first home league victory of the season. Given our poor away record, and West Ham's buoyancy following the signing of that hooligan Bowyer, it counts as a point gained rather than two dropped, and thanks to other results we stay in fourth.
And, in even better news, Marcelino has had the remaining five months of his contract bought out, and has left the club. Hallelujah.
Earplugs at the ready
Upcoming treats thanks to those splendid folk at Night With No Name:
Sat 15th February @ Rock City: CAVE IN + guests
Tues 18th February @ Rock City: BURNING BRIDES + guests
Upcoming treats thanks to those splendid folk at Night With No Name:
Sat 15th February @ Rock City: CAVE IN + guests
Tues 18th February @ Rock City: BURNING BRIDES + guests
From the sublime to the ridiculous
I paid a visit to Nottingham's quasi-legendary Irish Centre on Friday night. For the uninitiated, going to the Irish is like being an uninvited guest stumbling in upon the latter stages of a wedding reception: lots of "mature" and outstandingly intoxicated individuals swaying or dancing tremendously badly to 80s and 90s pop and indie records played by a DJ untroubled by much in the way of taste and by anything in the way of fashion, all in a venue which resembles a Scout hut fitted with a mobile disco. Sophistication is not the word. Disappointingly, on this occasion the DJ failed to take note of any of my requests, hastily scrawled on the scrap of notepaper provided: so, no 'Geno' by Dexys, no 'Inbetween Days' by The Cure, no 'Freak Like Me' by Sugababes, no 'Groove Is In The Heart' by Dee-Lite and nothing by The Clash. We did, however, get further confirmation (as if it was needed) that the DJ's sense of irony is either staggeringly underdeveloped or razor-sharp (I'm still not sure which) - 'Smells Like Teen Spirit' was followed immediately by Nickelback's 'How You Remind Me'. I smiled into my pint and waited for the next Kylie or Smiths track.
I paid a visit to Nottingham's quasi-legendary Irish Centre on Friday night. For the uninitiated, going to the Irish is like being an uninvited guest stumbling in upon the latter stages of a wedding reception: lots of "mature" and outstandingly intoxicated individuals swaying or dancing tremendously badly to 80s and 90s pop and indie records played by a DJ untroubled by much in the way of taste and by anything in the way of fashion, all in a venue which resembles a Scout hut fitted with a mobile disco. Sophistication is not the word. Disappointingly, on this occasion the DJ failed to take note of any of my requests, hastily scrawled on the scrap of notepaper provided: so, no 'Geno' by Dexys, no 'Inbetween Days' by The Cure, no 'Freak Like Me' by Sugababes, no 'Groove Is In The Heart' by Dee-Lite and nothing by The Clash. We did, however, get further confirmation (as if it was needed) that the DJ's sense of irony is either staggeringly underdeveloped or razor-sharp (I'm still not sure which) - 'Smells Like Teen Spirit' was followed immediately by Nickelback's 'How You Remind Me'. I smiled into my pint and waited for the next Kylie or Smiths track.
Friday, January 10, 2003
Dirrrrrrrrrrrty!
No, nothing to do with Christina Aguilera and her make-up-artist's-nightmare of a face. Nothing at all. Sonic Youth are reissuing one of their very finest albums, with loads of extra cool stuff. This was the SY album I was weaned on, and seeing them play 'Drunken Butterfly' at the Shepherd's Bush Empire last June was a fucking awesome experience.
No, nothing to do with Christina Aguilera and her make-up-artist's-nightmare of a face. Nothing at all. Sonic Youth are reissuing one of their very finest albums, with loads of extra cool stuff. This was the SY album I was weaned on, and seeing them play 'Drunken Butterfly' at the Shepherd's Bush Empire last June was a fucking awesome experience.
Wednesday, January 08, 2003
Very ugly ex-footballer in hilarious hostage hoax
From teamtalk.com:
Coventry academy director Steve Ogrizovic has laughed off claims that he had been arrested and held captive in Kazakhstan over Christmas.
According to a website called petitionsonline, the Sky Blue legend had embarked on a global fundraising trek around the world, for a charity called 'Over the Bar' which allegedly helps disadvantaged goalkeepers.
But after straying on to private military land, 'Oggy' was apparently arrested and thrown into prison accused of spying, prompting a 'Free Steve Ogrizovic Campaign' and a petition to Downing Street in a bid to secure his release.
However, the former Coventry and Liverpool keeper said he could not believe such an elaborate hoax had become public knowledge.
"I am told that only 57 people signed the petition to get me back so I don't think that would carry much weight with Tony Blair," he joked. "But seriously, it is a complete hoax and I haven't a clue where it has come from.
"The first I heard about it was when a journalist from the Guardian rang me and asked what I was doing answering the phone when I should have been locked away in a prison cell in Kazakhstan.
"The first thing I did was go to an atlas and have a look where it is!" he added in the Coventry Evening Telegraph.
From teamtalk.com:
Coventry academy director Steve Ogrizovic has laughed off claims that he had been arrested and held captive in Kazakhstan over Christmas.
According to a website called petitionsonline, the Sky Blue legend had embarked on a global fundraising trek around the world, for a charity called 'Over the Bar' which allegedly helps disadvantaged goalkeepers.
But after straying on to private military land, 'Oggy' was apparently arrested and thrown into prison accused of spying, prompting a 'Free Steve Ogrizovic Campaign' and a petition to Downing Street in a bid to secure his release.
However, the former Coventry and Liverpool keeper said he could not believe such an elaborate hoax had become public knowledge.
"I am told that only 57 people signed the petition to get me back so I don't think that would carry much weight with Tony Blair," he joked. "But seriously, it is a complete hoax and I haven't a clue where it has come from.
"The first I heard about it was when a journalist from the Guardian rang me and asked what I was doing answering the phone when I should have been locked away in a prison cell in Kazakhstan.
"The first thing I did was go to an atlas and have a look where it is!" he added in the Coventry Evening Telegraph.
G2: blue?
Praise the lord! The word 'fuck' hasn't lost its power after all! Although I must confess to having missed yesterday's edition of the Guardian, I've now read all about it. So, Gillian Wearing's 'Fuck Cilla Black' G2 cover: shock tactics or serious comment? After reading features editor Ian Katz's justification, I think I'm just about inclined to favour the latter. Looking forward to the Chapmans' cover(s), though...
Praise the lord! The word 'fuck' hasn't lost its power after all! Although I must confess to having missed yesterday's edition of the Guardian, I've now read all about it. So, Gillian Wearing's 'Fuck Cilla Black' G2 cover: shock tactics or serious comment? After reading features editor Ian Katz's justification, I think I'm just about inclined to favour the latter. Looking forward to the Chapmans' cover(s), though...
Monday, January 06, 2003
Lists, glorious lists
As promised / threatened, here are those Top 10s, and a whole load more besides...
Top 10 Albums Of 2002
Firstly, the pre-emptive plea for the defence. Compiling lists like this, especially of albums, is a process fraught with danger. How many times have you come across a record years later that would have been well up there amongst your favourites for that year if you'd only known about it then? And how often do tastes gradually mutate or even change altogether? This list is what I've come up with over the past few days, but it certainly ain't set in stone. There are a ridiculous number of albums released over the past year by which I have been intrigued but which I haven't managed to hear in their entirety (or even at all):
Low - Trust
Doves - The Last Broadcast
The Streets - Original Pirate Material
The Breeders - Title TK
Primal Scream - Evil Heat
Clinic - Walking With Thee
Liars - They Threw Us All In A Trench And Put A Monument On Top
J Mascis - Free So Free
The Black Heart Procession - Amore Del Tropico
Rival Schools - United By Fate
Sleater-Kinney - One Beat
Radio 4 - Gotham!
The Eighties Matchbox B-Line Disaster - Horse Of The Dog
Beck - Sea Change
Q And Not U - Different Damage
Audioslave - Audioslave
The Libertines - Up The Bracket
Ikara Colt - Chat And Business
Pearl Jam - Riot Act
The Coral - The Coral
Jon Spencer Blues Explosion - Plastic Fang
Mudhoney - Since We've Been Translucent
Bright Eyes - Lifted...
Pretty Girls Make Graves - Good Health
Death In Vegas - Scorpio Rising
Of these, I'm sure at least a few may have impinged on the list below. Right, that's enough defensive preamble. Here's the necessarily contingent Top 10...
1. Sparta - Wiretap Scars
Quite simple, really - far and away the most revolutions on my CD player of any record released last year. Understatedly and consistently brilliant.
Key track: 'Glasshouse Tarot' if I really have to choose
2. Interpol - Turn On The Bright Lights
The Smiths, The Strokes and Joy Division with their collars up, smoking cigarettes and shivering on a bench in Central Park at 2am in January.
Key track: 'NYC'
3. Sonic Youth - Murray Street
Even if listened to in a cultural vacuum where their twenty years of influence and innovation didn't exist, this would still be a categorically excellent record. Welcome aboard Jim O'Rourke.
Key track: 'The Empty Page'
4. ...And You Will Know Us By The Trail Of Dead - Source Tags & Codes
The sweat, blood and chaos of the first two (perhaps even better) records scraped up and poured into the mould of the three-minute pop song. The author Angela Carter once said, "I am all for putting new wine in old bottles, especially if the pressure of the new wine makes the old bottles explode". What Carter did with fiction, ...Trail Of Dead have done with music.
Key track: 'Days Of Being Wild'
5. Godspeed You Black Emperor! - Yanqui UXO
More sumptuously majestic soundscapes for the listener to gorge themselves on.
Key track: 'Motherfucker = Redeemer'
6. Queens Of The Stone Age - Songs For The Deaf
Hard rock smacked around the face with invention, intelligence and weirdness.
Key track: 'A Song For The Dead' (although better live than on record)
7. Idlewild - The Remote Part
Maturity brings mammoth tunes and stellar choruses a-plenty, but there's still undoubtedly enough of a foot planted in the mid 80s US post-hardcore and indie which first inspired them.
Key track: 'Stay The Same'
8. Cave In - Tides Of Tomorrow
A startling mini-LP which makes a stew of metal, prog and hardcore somehow smell of roses.
Key track: 'Come Into Your Own'
9. The Hives - Your New Favourite Band
A Frankenstein's monster of an album it might be, but fucking hell it makes you want to jump up and down and hurl yourself about with the same abandon as a six-year-old on speed. Even if you're a sad old 25-year-old like me.
Key track: 'Die, All Right!'
10. Black Rebel Motorcycle Club - BRMC
A couple of fillers aside, this is sheer black-hearted class. The Jesus & Mary Chain's shadow they might be, but they're still good enough to squeeze into the Top 10.
Key track: 'Awake'
Other albums that rocked my world last year:
The Datsuns - The Datsuns
The Flaming Lips - Yoshimi Battles The Pink Robots
Foo Fighters - One By One
Sigur Ros - ( )
The Von Bondies - Lack Of Communication
Six By Seven - The Way I Feel Today
The Catheters - Static Delusions And Stone-Still Days
The Promise Ring - Wood / Water
Hundred Reasons - Ideas Above Our Station
Jetplane Landing - Zero For Conduct
The Pattern - Real Feelness
As promised / threatened, here are those Top 10s, and a whole load more besides...
Top 10 Albums Of 2002
Firstly, the pre-emptive plea for the defence. Compiling lists like this, especially of albums, is a process fraught with danger. How many times have you come across a record years later that would have been well up there amongst your favourites for that year if you'd only known about it then? And how often do tastes gradually mutate or even change altogether? This list is what I've come up with over the past few days, but it certainly ain't set in stone. There are a ridiculous number of albums released over the past year by which I have been intrigued but which I haven't managed to hear in their entirety (or even at all):
Low - Trust
Doves - The Last Broadcast
The Streets - Original Pirate Material
The Breeders - Title TK
Primal Scream - Evil Heat
Clinic - Walking With Thee
Liars - They Threw Us All In A Trench And Put A Monument On Top
J Mascis - Free So Free
The Black Heart Procession - Amore Del Tropico
Rival Schools - United By Fate
Sleater-Kinney - One Beat
Radio 4 - Gotham!
The Eighties Matchbox B-Line Disaster - Horse Of The Dog
Beck - Sea Change
Q And Not U - Different Damage
Audioslave - Audioslave
The Libertines - Up The Bracket
Ikara Colt - Chat And Business
Pearl Jam - Riot Act
The Coral - The Coral
Jon Spencer Blues Explosion - Plastic Fang
Mudhoney - Since We've Been Translucent
Bright Eyes - Lifted...
Pretty Girls Make Graves - Good Health
Death In Vegas - Scorpio Rising
Of these, I'm sure at least a few may have impinged on the list below. Right, that's enough defensive preamble. Here's the necessarily contingent Top 10...
1. Sparta - Wiretap Scars
Quite simple, really - far and away the most revolutions on my CD player of any record released last year. Understatedly and consistently brilliant.
Key track: 'Glasshouse Tarot' if I really have to choose
2. Interpol - Turn On The Bright Lights
The Smiths, The Strokes and Joy Division with their collars up, smoking cigarettes and shivering on a bench in Central Park at 2am in January.
Key track: 'NYC'
3. Sonic Youth - Murray Street
Even if listened to in a cultural vacuum where their twenty years of influence and innovation didn't exist, this would still be a categorically excellent record. Welcome aboard Jim O'Rourke.
Key track: 'The Empty Page'
4. ...And You Will Know Us By The Trail Of Dead - Source Tags & Codes
The sweat, blood and chaos of the first two (perhaps even better) records scraped up and poured into the mould of the three-minute pop song. The author Angela Carter once said, "I am all for putting new wine in old bottles, especially if the pressure of the new wine makes the old bottles explode". What Carter did with fiction, ...Trail Of Dead have done with music.
Key track: 'Days Of Being Wild'
5. Godspeed You Black Emperor! - Yanqui UXO
More sumptuously majestic soundscapes for the listener to gorge themselves on.
Key track: 'Motherfucker = Redeemer'
6. Queens Of The Stone Age - Songs For The Deaf
Hard rock smacked around the face with invention, intelligence and weirdness.
Key track: 'A Song For The Dead' (although better live than on record)
7. Idlewild - The Remote Part
Maturity brings mammoth tunes and stellar choruses a-plenty, but there's still undoubtedly enough of a foot planted in the mid 80s US post-hardcore and indie which first inspired them.
Key track: 'Stay The Same'
8. Cave In - Tides Of Tomorrow
A startling mini-LP which makes a stew of metal, prog and hardcore somehow smell of roses.
Key track: 'Come Into Your Own'
9. The Hives - Your New Favourite Band
A Frankenstein's monster of an album it might be, but fucking hell it makes you want to jump up and down and hurl yourself about with the same abandon as a six-year-old on speed. Even if you're a sad old 25-year-old like me.
Key track: 'Die, All Right!'
10. Black Rebel Motorcycle Club - BRMC
A couple of fillers aside, this is sheer black-hearted class. The Jesus & Mary Chain's shadow they might be, but they're still good enough to squeeze into the Top 10.
Key track: 'Awake'
Other albums that rocked my world last year:
The Datsuns - The Datsuns
The Flaming Lips - Yoshimi Battles The Pink Robots
Foo Fighters - One By One
Sigur Ros - ( )
The Von Bondies - Lack Of Communication
Six By Seven - The Way I Feel Today
The Catheters - Static Delusions And Stone-Still Days
The Promise Ring - Wood / Water
Hundred Reasons - Ideas Above Our Station
Jetplane Landing - Zero For Conduct
The Pattern - Real Feelness
Top 10 Singles Of 2002
1. 'Freak Like Me' - Sugababes
2. 'No One Knows' - Queens Of The Stone Age
3. 'Tremulant' EP - The Mars Volta
4. 'Master' EP - The Yeah Yeah Yeahs
5. 'Fell In Love With A Girl' - The White Stripes
6. 'Dreaming Of You' - The Coral
7. 'Feed A Cat To Your Cobra' - The Icarus Line
8. 'In Love' - The Datsuns
9. 'PDA' - Interpol
10. 'It Came From Japan' - The Von Bondies
Other singles that rocked my world last year:
'Miss Lucifer' - Primal Scream
'Hate To Say I Told You So' / 'Main Offender' / 'Die, All Right!' - The Hives
'Used For Glue' - Rival Schools
'Hot In Herre' - Nelly
'Austere' EP - Sparta
'Goodbye' - The Coral
'Relative Ways' - ...And You Will Know Us By The Trail Of Dead
'You Held The World In Your Arms' / 'American English' - Idlewild
'Whatever Happened To My Rock 'N' Roll' / 'Spread Your Love' - Black Rebel Motorcycle Club
'Dy-Na-Mi-Tee' - Ms Dynamite
'Dead Leaves And The Dusty Ground' - The White Stripes
'Jailhouse' - The Beatings
'The Middle' - Jimmy Eat World
'All My Life' - Foo Fighters
'Papa Don't Preach' - Kelly Osbourne
'Party' - The D4
'Stop Your Crying' - Spiritualised
'What's New For Fall' - Desaparecidos
'Get Free' - The Vines
'Draw Your Lines' - qhixldekx
'They Glued Your Head On Upside Down' - The Bellrays
'Cut Your Noose' EP - Vendetta Red
'Fins To Make Us More Fish-Like' EP - Liars
'What A Waster' - The Libertines
'Glass Slipper' EP - Burning Brides
'United States Of Whatever' - Liam Lynch
1. 'Freak Like Me' - Sugababes
2. 'No One Knows' - Queens Of The Stone Age
3. 'Tremulant' EP - The Mars Volta
4. 'Master' EP - The Yeah Yeah Yeahs
5. 'Fell In Love With A Girl' - The White Stripes
6. 'Dreaming Of You' - The Coral
7. 'Feed A Cat To Your Cobra' - The Icarus Line
8. 'In Love' - The Datsuns
9. 'PDA' - Interpol
10. 'It Came From Japan' - The Von Bondies
Other singles that rocked my world last year:
'Miss Lucifer' - Primal Scream
'Hate To Say I Told You So' / 'Main Offender' / 'Die, All Right!' - The Hives
'Used For Glue' - Rival Schools
'Hot In Herre' - Nelly
'Austere' EP - Sparta
'Goodbye' - The Coral
'Relative Ways' - ...And You Will Know Us By The Trail Of Dead
'You Held The World In Your Arms' / 'American English' - Idlewild
'Whatever Happened To My Rock 'N' Roll' / 'Spread Your Love' - Black Rebel Motorcycle Club
'Dy-Na-Mi-Tee' - Ms Dynamite
'Dead Leaves And The Dusty Ground' - The White Stripes
'Jailhouse' - The Beatings
'The Middle' - Jimmy Eat World
'All My Life' - Foo Fighters
'Papa Don't Preach' - Kelly Osbourne
'Party' - The D4
'Stop Your Crying' - Spiritualised
'What's New For Fall' - Desaparecidos
'Get Free' - The Vines
'Draw Your Lines' - qhixldekx
'They Glued Your Head On Upside Down' - The Bellrays
'Cut Your Noose' EP - Vendetta Red
'Fins To Make Us More Fish-Like' EP - Liars
'What A Waster' - The Libertines
'Glass Slipper' EP - Burning Brides
'United States Of Whatever' - Liam Lynch
Top 10 Live Performances Of 2002
1. Guns 'N' Roses (Leeds festival)
2. Sonic Youth (London Shepherds Bush Empire)
3. Queens Of The Stone Age (Glastonbury)
4. Jane's Addiction (Leeds festival)
5. The Icarus Line (Leeds festival - also seen at Nottingham Rock City)
6. Queens Of The Stone Age (Nottingham Rock City)
7. The White Stripes (Glastonbury - also seen at Leeds festival)
8. Godspeed You Black Emperor! (Hackney Ocean)
9. J Mascis (Nottingham Social)
10. Fugazi (Nottingham Rock City)
Other bands seen / endured this year (deep breath...):
A (x2), Air, ...And You Will Know Us By The Trail Of Dead, Ash, The Beatings, The Bellrays (x2), Black Rebel Motorcycle Club (x2), The Breeders, British Sea Power, Chris Brokaw, Cave In, Bobby Conn, The Cooper Temple Clause, The Coral, The Datsuns, The D4, Do Make Say Think, The Eighties Matchbox B-Line Disaster (x2), Face To Face, Foo Fighters, Garbage, Green Day, Rolf Harris, Isaac Hayes, The Hellacopters, Hell Is For Heroes, The Hives (x2), Hoggboy, Hood, Hundred Reasons (x4), Idlewild (x2), Ikara Colt, Jetplane Landing, Jon Spencer Blues Explosion, Kinesis, The Levellers, The Libertines (x2), Muse, Music For One, NOFX, The Notwist, The Offspring, Orbital, The Parkinsons (x2), The Pattern, Iggy Pop, The Prodigy, qhixldekx, Raging Speedhorn, Randy, Red Letter Day, Reinhardt, Rival Schools (x3), Shat, Six By Seven (x2), Slipknot, Snuff, Sparta (x2), Spiritualised, [spunge], Rod Stewart, The Strokes, Twinkie, Vendetta Red (x2), Vex Red, The Vines (x2), The Von Bondies (x2), Roger Waters, Weezer, The Wildhearts, Andrew WK, Wolves (Of Greece!)
It's been a busy (and expensive) year!
1. Guns 'N' Roses (Leeds festival)
2. Sonic Youth (London Shepherds Bush Empire)
3. Queens Of The Stone Age (Glastonbury)
4. Jane's Addiction (Leeds festival)
5. The Icarus Line (Leeds festival - also seen at Nottingham Rock City)
6. Queens Of The Stone Age (Nottingham Rock City)
7. The White Stripes (Glastonbury - also seen at Leeds festival)
8. Godspeed You Black Emperor! (Hackney Ocean)
9. J Mascis (Nottingham Social)
10. Fugazi (Nottingham Rock City)
Other bands seen / endured this year (deep breath...):
A (x2), Air, ...And You Will Know Us By The Trail Of Dead, Ash, The Beatings, The Bellrays (x2), Black Rebel Motorcycle Club (x2), The Breeders, British Sea Power, Chris Brokaw, Cave In, Bobby Conn, The Cooper Temple Clause, The Coral, The Datsuns, The D4, Do Make Say Think, The Eighties Matchbox B-Line Disaster (x2), Face To Face, Foo Fighters, Garbage, Green Day, Rolf Harris, Isaac Hayes, The Hellacopters, Hell Is For Heroes, The Hives (x2), Hoggboy, Hood, Hundred Reasons (x4), Idlewild (x2), Ikara Colt, Jetplane Landing, Jon Spencer Blues Explosion, Kinesis, The Levellers, The Libertines (x2), Muse, Music For One, NOFX, The Notwist, The Offspring, Orbital, The Parkinsons (x2), The Pattern, Iggy Pop, The Prodigy, qhixldekx, Raging Speedhorn, Randy, Red Letter Day, Reinhardt, Rival Schools (x3), Shat, Six By Seven (x2), Slipknot, Snuff, Sparta (x2), Spiritualised, [spunge], Rod Stewart, The Strokes, Twinkie, Vendetta Red (x2), Vex Red, The Vines (x2), The Von Bondies (x2), Roger Waters, Weezer, The Wildhearts, Andrew WK, Wolves (Of Greece!)
It's been a busy (and expensive) year!
Cup of woe
The romance of the Cup, eh? Well, at about 5.45pm yesterday, the romance died. Trust the FA Cup to come along and deliver, right on cue, a perfectly-timed knee to the testiculars. Not quite as painful as the two successive finals in 1998 and 1999 which I also witnessed in the flesh, but painful all the same. The truth is that we were humbled by lower division opposition who played their absolute best, although on another day we could have sneaked a draw and a St James' Park replay. For the most part, it was the familiar away day story: more than just the three moments of staggering defensive ineptitude, Shearer on the scoresheet, Bellamy incurring the wrath of the home fans, a quite incredibly lazy performance from Robert in comparison to the superb showings from the untrumpeted likes of Lescott and Ndah... All in all, a day to forget.
Looking forward, then: West Ham away this coming weekend. They've not won at home in the league this season. So, there's a script there just waiting for us to play the role of obliging fall guys. Oh joy.
The romance of the Cup, eh? Well, at about 5.45pm yesterday, the romance died. Trust the FA Cup to come along and deliver, right on cue, a perfectly-timed knee to the testiculars. Not quite as painful as the two successive finals in 1998 and 1999 which I also witnessed in the flesh, but painful all the same. The truth is that we were humbled by lower division opposition who played their absolute best, although on another day we could have sneaked a draw and a St James' Park replay. For the most part, it was the familiar away day story: more than just the three moments of staggering defensive ineptitude, Shearer on the scoresheet, Bellamy incurring the wrath of the home fans, a quite incredibly lazy performance from Robert in comparison to the superb showings from the untrumpeted likes of Lescott and Ndah... All in all, a day to forget.
Looking forward, then: West Ham away this coming weekend. They've not won at home in the league this season. So, there's a script there just waiting for us to play the role of obliging fall guys. Oh joy.
This week's wearied NME gripe
The self-directed backslapping, arsekissing and cocksucking continues apace. Oh yes. It seems as though NME really has undergone the fabled operation to have those pesky couple of ribs removed. It's not enough to pat outgoing deputy editor James Oldham (he of the often nauseatingly gushing features - see that horrific Vines issue from a few months back) on the head. Oh no. They have to let us all know, in a news item, that he's landed an advisory A&R job at the Wall Street Journal, a paper which recently proclaimed that (trumpet fanfare please!) the NME seal of approval is increasingly being taken by US record companies as a measure of a band's talent and worth. Well, hooray for NME! It's just one big fucking corporate love-in. Even worse, though, in a separate piece of 'news' we find the revelation that Oldham has set up his own label, Loog Records, and that the first signings are a band called The Hiss (bet Oldham soiled himself in excitement when he found an unsigned band with a 'The' in their name). It really is coming to something when the corporate saturation is so complete that adverts are shamelessly allowed to masquerade as news items.
The self-directed backslapping, arsekissing and cocksucking continues apace. Oh yes. It seems as though NME really has undergone the fabled operation to have those pesky couple of ribs removed. It's not enough to pat outgoing deputy editor James Oldham (he of the often nauseatingly gushing features - see that horrific Vines issue from a few months back) on the head. Oh no. They have to let us all know, in a news item, that he's landed an advisory A&R job at the Wall Street Journal, a paper which recently proclaimed that (trumpet fanfare please!) the NME seal of approval is increasingly being taken by US record companies as a measure of a band's talent and worth. Well, hooray for NME! It's just one big fucking corporate love-in. Even worse, though, in a separate piece of 'news' we find the revelation that Oldham has set up his own label, Loog Records, and that the first signings are a band called The Hiss (bet Oldham soiled himself in excitement when he found an unsigned band with a 'The' in their name). It really is coming to something when the corporate saturation is so complete that adverts are shamelessly allowed to masquerade as news items.
Fighting talk
Anyone else noticed the slew of Army, Navy and RAF recruitment ads on TV at the moment? Can't help thinking there's a discrepancy between what they say and what they mean.
What they say: "Be the best".
What they mean: "Do you like to travel? Fancy escaping all this horrid cold weather and jetting off to the warmer climes of the Gulf for sunbathing and sightseeing? Of course you do. What's more, we'll pay you handsomely for it! All you have to do is agree to have your holiday interrupted every now and again by gunfire, which may possibly be directed at you. So, if you're prepared to take a bullet in the name of Bush, Blair and a few multinational petroleum companies, the job's yours!"
Anyone else noticed the slew of Army, Navy and RAF recruitment ads on TV at the moment? Can't help thinking there's a discrepancy between what they say and what they mean.
What they say: "Be the best".
What they mean: "Do you like to travel? Fancy escaping all this horrid cold weather and jetting off to the warmer climes of the Gulf for sunbathing and sightseeing? Of course you do. What's more, we'll pay you handsomely for it! All you have to do is agree to have your holiday interrupted every now and again by gunfire, which may possibly be directed at you. So, if you're prepared to take a bullet in the name of Bush, Blair and a few multinational petroleum companies, the job's yours!"
"Like the drink, but not spelt the same"
At last saw 'The Green Mile' on Saturday. I'll resist the temptation to launch into a lengthy disquisition, but suffice to say I thought it was absolutely superb. No, actually, permit me to chuck in a few choice adjectival phrases: weighty, harrowing, incredibly moving, beautifully shot, unhurried in pace and not a minute too long. I had been sceptical that Frank Darabont could have produced anything to match up to 'The Shawshank Redemption', but fucking hell he managed it. One more thing: I really, really want to go to Mouseville.
At last saw 'The Green Mile' on Saturday. I'll resist the temptation to launch into a lengthy disquisition, but suffice to say I thought it was absolutely superb. No, actually, permit me to chuck in a few choice adjectival phrases: weighty, harrowing, incredibly moving, beautifully shot, unhurried in pace and not a minute too long. I had been sceptical that Frank Darabont could have produced anything to match up to 'The Shawshank Redemption', but fucking hell he managed it. One more thing: I really, really want to go to Mouseville.
Blogfiends of the world unite!
Another day, another fine music-centred blog upon which I find I have stumbled, thanks to Dead Kenny. Allow me, gracious reader, to point you in the direction of No Matter What You Heard, where you will find, among other things, a fantastic Top Ten Albums Of 2002 list. Steve - you, sir, have exquisite taste. What's more, I couldn't agree more with your suggestion that Amy Phillips of Village Voice was embarrassingly wrong about Sonic Youth's Murray Street record, and I even sent her a somewhat indignant email to tell her so.
Cheers also to Wan for appreciating recent attempts to drag my blog away from the gutter and towards the stars with some more considered opinion and thought, whilst running the perpetual risk of self-indulgence and pretention. Whisper it, or he'll get even more fat-headed, but Olav's blog remains something of a benchmark - although there are imaginings therein which make me shudder.
Another day, another fine music-centred blog upon which I find I have stumbled, thanks to Dead Kenny. Allow me, gracious reader, to point you in the direction of No Matter What You Heard, where you will find, among other things, a fantastic Top Ten Albums Of 2002 list. Steve - you, sir, have exquisite taste. What's more, I couldn't agree more with your suggestion that Amy Phillips of Village Voice was embarrassingly wrong about Sonic Youth's Murray Street record, and I even sent her a somewhat indignant email to tell her so.
Cheers also to Wan for appreciating recent attempts to drag my blog away from the gutter and towards the stars with some more considered opinion and thought, whilst running the perpetual risk of self-indulgence and pretention. Whisper it, or he'll get even more fat-headed, but Olav's blog remains something of a benchmark - although there are imaginings therein which make me shudder.
Friday, January 03, 2003
Emergency! Emergency!
Cheers to all who have helped me to 999 hits in not much more than three months! To celebrate, I am currently slavishly adhering to the cliche of the anally obsessive indie kid in agonising over my singles, albums and gigs of 2002 lists, which should be finalised (that sounds really fucking pretentious, sorry) for posting on the blog early next week. In the meantime, I heartily recommend the lists posted by Olav and Troubled Diva.
Cheers to all who have helped me to 999 hits in not much more than three months! To celebrate, I am currently slavishly adhering to the cliche of the anally obsessive indie kid in agonising over my singles, albums and gigs of 2002 lists, which should be finalised (that sounds really fucking pretentious, sorry) for posting on the blog early next week. In the meantime, I heartily recommend the lists posted by Olav and Troubled Diva.
So many books, so little time
Over the last week or so I've raced through J G Ballard's 'Super-Cannes'. I keep reading that it's almost a sequel to 'Cocaine Nights', so perhaps I should have started with that, but never mind - I enjoyed it anyway. The novel is very Ballard, centering on the nightmare at the heart of the corporate dream. He conjures up lurid visions of the violent and sexual perversions in which the corporate uberclass indulge in order to keep themselves productive and efficient and mentally stable in the high-pressure working environment. Ballard creates an impressively believable world (although not 'real' in any conventional sense - the whole point is that this world is almost hyperreal, where appearance and actuality are blurred), a horrifying dystopia which is far more than a mere flight of fancy, or a novelist flexing his imaginative muscles - this dystopia of the Eden-Olympia business park is central to Ballard's self-appointed role as social and cultural commentator, and the darkly foreboding critique is razor-sharp. What's more, the fact that it's a heavyweight novel in terms of ideas means there's no need to feel guilty about getting drawn into the intricacies of the plot and getting swept along as you might with your standard fast-paced but ultimately utterly vacuous thriller. 'Super-Cannes' is a whole lot more intellectually satisfying than that.
I suddenly seem to have rediscovered my lust for books and reading in general. There's an explanation close at hand, I suppose - reading books incessantly for the PhD I am currently (if only occasionally...) labouring towards, as well as for teaching undergraduates, has the unfortunate consequence of dulling the appetite for reading for pleasure. I remember the way a desire to gorge myself on books suddenly hit me the summer after I'd finished my undergraduate degree. Well, it seems as though the Christmas break has had the same effect. Now I can't go into bookshops without salivating in exactly the same way as I do when I pass through the hallowed doorway of Selectadisc. The problem now is that I'm buying more books at a faster rate than I can possibly read them, even allowing for my vastly increased appetite. So, recent purchases piling up and awaiting perusal include:
'Stupid White Men' - Michael Moore
'The Trial' - Franz Kafka
'The Secret History' - Donna Tartt
'England's Dreaming' - Jon Savage
'Resurrection Men' - Ian Rankin
'Underworld' - Don DeLillo
'24 Hour Party People' - Tony Wilson
'The Bonfire Of The Vanities' - Tom Wolfe
That's not to mention quite a few books on my shelves that remain unread, and several that I want to return to.
New Year's Resolution: Read more for pleasure. Better get cracking...
Over the last week or so I've raced through J G Ballard's 'Super-Cannes'. I keep reading that it's almost a sequel to 'Cocaine Nights', so perhaps I should have started with that, but never mind - I enjoyed it anyway. The novel is very Ballard, centering on the nightmare at the heart of the corporate dream. He conjures up lurid visions of the violent and sexual perversions in which the corporate uberclass indulge in order to keep themselves productive and efficient and mentally stable in the high-pressure working environment. Ballard creates an impressively believable world (although not 'real' in any conventional sense - the whole point is that this world is almost hyperreal, where appearance and actuality are blurred), a horrifying dystopia which is far more than a mere flight of fancy, or a novelist flexing his imaginative muscles - this dystopia of the Eden-Olympia business park is central to Ballard's self-appointed role as social and cultural commentator, and the darkly foreboding critique is razor-sharp. What's more, the fact that it's a heavyweight novel in terms of ideas means there's no need to feel guilty about getting drawn into the intricacies of the plot and getting swept along as you might with your standard fast-paced but ultimately utterly vacuous thriller. 'Super-Cannes' is a whole lot more intellectually satisfying than that.
I suddenly seem to have rediscovered my lust for books and reading in general. There's an explanation close at hand, I suppose - reading books incessantly for the PhD I am currently (if only occasionally...) labouring towards, as well as for teaching undergraduates, has the unfortunate consequence of dulling the appetite for reading for pleasure. I remember the way a desire to gorge myself on books suddenly hit me the summer after I'd finished my undergraduate degree. Well, it seems as though the Christmas break has had the same effect. Now I can't go into bookshops without salivating in exactly the same way as I do when I pass through the hallowed doorway of Selectadisc. The problem now is that I'm buying more books at a faster rate than I can possibly read them, even allowing for my vastly increased appetite. So, recent purchases piling up and awaiting perusal include:
'Stupid White Men' - Michael Moore
'The Trial' - Franz Kafka
'The Secret History' - Donna Tartt
'England's Dreaming' - Jon Savage
'Resurrection Men' - Ian Rankin
'Underworld' - Don DeLillo
'24 Hour Party People' - Tony Wilson
'The Bonfire Of The Vanities' - Tom Wolfe
That's not to mention quite a few books on my shelves that remain unread, and several that I want to return to.
New Year's Resolution: Read more for pleasure. Better get cracking...
Festive cheer
Just thought it was worth applauding the fact that, amongst the more "traditional" anodyne and paltry fayre (dis)gracing our TV screens this Christmas, there were also several movies of the very highest calibre - 'Little Voice', 'LA Confidential', the 'American Beauty' and 'This Is Spinal Tap' double bill. And whoever decided screening David Fincher's 'Fight Club' three days before Christmas stuck their neck out quite a long way. It's possible I may have misinterpreted the film, but as I understood it the overriding sentiment is certainly NOT one of peace and goodwill to all men...
On the subject of 'Fight Club', I must read more of Chuck Palahniuk's books - 'Survivor', 'Choke' and 'Lullaby' all sound as if they evoke the same spirit of nihilistic disgust and black-hearted satire. Bret Easton Ellis too - 'American Psycho' alternately enthralled and appalled me, but as yet I haven't followed it up with the likes of 'Less Than Zero', 'Glamorama' and 'The Informers'.
Just thought it was worth applauding the fact that, amongst the more "traditional" anodyne and paltry fayre (dis)gracing our TV screens this Christmas, there were also several movies of the very highest calibre - 'Little Voice', 'LA Confidential', the 'American Beauty' and 'This Is Spinal Tap' double bill. And whoever decided screening David Fincher's 'Fight Club' three days before Christmas stuck their neck out quite a long way. It's possible I may have misinterpreted the film, but as I understood it the overriding sentiment is certainly NOT one of peace and goodwill to all men...
On the subject of 'Fight Club', I must read more of Chuck Palahniuk's books - 'Survivor', 'Choke' and 'Lullaby' all sound as if they evoke the same spirit of nihilistic disgust and black-hearted satire. Bret Easton Ellis too - 'American Psycho' alternately enthralled and appalled me, but as yet I haven't followed it up with the likes of 'Less Than Zero', 'Glamorama' and 'The Informers'.
Thursday, January 02, 2003
Marching quietly on
So, the Bolton Boxing Day Bollocksfest has been followed up with two very welcome victories over decent opposition. Most remarkably, in the case of Liverpool last night, for once we were not overly obliging in handing a heroically out-of-form side a desperately-needed win, instead showing no mercy and deservedly sending them packing with no points and an imminent suspension for Salif Diao. New Year's resolution: continue to defend Fortress St James' with the same dogged resolve, while starting to win games away from home. At the moment, a Champions' League place is ours for the taking.
So, the Bolton Boxing Day Bollocksfest has been followed up with two very welcome victories over decent opposition. Most remarkably, in the case of Liverpool last night, for once we were not overly obliging in handing a heroically out-of-form side a desperately-needed win, instead showing no mercy and deservedly sending them packing with no points and an imminent suspension for Salif Diao. New Year's resolution: continue to defend Fortress St James' with the same dogged resolve, while starting to win games away from home. At the moment, a Champions' League place is ours for the taking.
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