Leigh Jones' recent piece for the Quietus may say very little indeed about its purported subject (the new Datblygu anthology Terfysgiaith 1982-2022) but it nevertheless serves a useful function as a primer on the place of both David Edwards and the band in the development of Welsh popular music - and as a critical commentary on the prominence of Dafydd Iwan in the wake of the World Cup and 'Yma O Hyd'.
Monday, February 27, 2023
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