Thursday, September 11, 2003

Music Sounds Better With You #10

'Last Nite' - The Strokes

There's very little to say about this track that hasn't already been said. So, suffice to say it's one of those rare singles that doesn't seem to diminish in quality with age and that, like only a few other songs I could name ('This Charming Man', 'Smells Like Teen Spirit', 'No-One Knows', 'Devil's Haircut', 'Sabotage', 'One-Armed Scissor', 'Been Caught Stealing'...), is always guaranteed of getting me dancing if I hear it blasting out in a club. There's no way I could ever tire of THAT solo.

That said, the inclusion of 'Last Nite' in the current series was a matter of much internal debate - after all, it's not as if they've actually influenced my record collection DIRECTLY very much. What they have done, though, is reignited interest in rock music, opened the floodgates and brought to my ears loads of other great bands that I wouldn't otherwise have heard (as well as - inevitably - several I could have quite easily done without). I'm not disputing the fact that the 'New Rock Revolution' is a concept conveniently invented by NME to sell more issues of the rag - OF COURSE there are always fantastic rock bands out there making great sounds in the forest, even if NME isn't there to hear them. But the fact remains that without The Strokes, other bands may well have not come to prominence.

(Note to Conor McNicholas: Just because The Strokes turned out a great debut LP, and might well be about to repeat the trick, doesn't mean we all want to find out which hand Julian Casablancas wipes his arse with.)

Opened the floodgates for: The White Stripes, Interpol, Yeah Yeah Yeahs, The Kills, The Hives, The Bellrays, Black Rebel Motorcycle Club, The Datsuns, The Von Bondies, The Libertines, Ikara Colt, The Black Keys, Soledad Brothers, Burning Brides, The Catheters, The Pattern...

And so this brings us almost right up to date, and wraps up what became a tortuously drawn-out series. Just to recap, here are the ten most influential songs in the development of my musical tastes and record collection:

1. 'Ring Ring' - Abba (c.1983)
2. 'Hey Jude' - The Beatles (c.1987)
3. 'Paradise City' - Guns 'N' Roses (1988)
4. 'Smells Like Teen Spirit' - Nirvana (1991)
5. 'Drunken Butterfly' - Sonic Youth (1992)
6. 'Stupid Girl' - Garbage (1996)
7. 'Angels & Aliens' - Mogwai (1998)
8. 'Cosmonaut' - At The Drive-In (2000)
9. 'It's A Motherfucker' - Eels (2001)
10. 'Last Nite' - The Strokes (2001)

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